![]() ![]() While these are a welcome inclusion, there are still a few issues with these. Turning on all there options will enable the automatic lens corrections. To turn on the lens corrections, go to the RAW develop and then to the Lens tab. I have gone through some examples in the video above. Masking 10 - 15 (You can actually turn this off if you want)įor higher ISO images, you’ll need to turn up the luminance denoise amount and lower the sharpening or increase the sharpening masking. These may be slightly different than the ones I set in the video, but they’re in the ballpark: For ISO 200 images I use the following settings. These include the lens used, the ISO and so on. ![]() This means setting some basic settings for sharpening and denoise and loading a LUT.įor sharpening, it depends on a number of factors. Once you have your Workspace set up and the LUTs downloaded, you’ll want to set up some defaults. Luminar Jupiter also includes the option to use DCP colour profiles, but unfortunately, I can’t find any good ones online, so I’m sticking with the LUTs option for now. However, you can save this as part of a preset, which we’ll get to in a minute. ![]() The software keeps the last few that you use in the list, but there’s no way that I know to alter the other ones that are already in the list so you may need to load them each time. To load a LUT simply select the option from the pop-up menu in the LUT mapping filter inside of Luminar. I keep mine in the pictures folder on my Mac. You need to download the 3DL option, which is the second link on the page ( at the time of writing.) Once you’ve downloaded these, save them to somewhere safe and easy to access. I’ve done a bit of searching online, and the ones linked here are the best that I’ve found. The next thing that you’ll want to do is download some film simulation LUTs that will let you match the in-camera film simulation modes. If you want you can now set this as your default workspace, by choosing that option from the same menu. Once you’ve done this, you can save this as a new workspace by going to the workspace pop-up menu and choosing “Save Workspace”. The other thing that I’ve done is drag the LUT mapping filter that’s included in the professional workspace so that it’s just after the sharpening filter. You should drag this in the stack so that it’s placed just after the Denoise filter. You’ll need a Sharpening filter, which you can add from the “Add Filters” button. The included “professional” workspace is a good starting point, but I suggest customising it a bit. The first thing you should do is set up a workspace for processing raw files. ![]()
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